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Home | Products | Service | Clients | Contact | News | Seminars | Company Info | Gallery | Price List ©2008 ATR Services, Inc. 2101 Pennsylvania Ave ~ Suite 11 York, PA 17404 (717) 852-7700 |
Gateway Mastering's owner and cheif engineer Bob Ludwig poses with his new ATR-108C 2-inch 8-track "Surround Sound" recorder.
Emily Lazar, mastering engineer and President of New York City's The LODGE, with her new ATR102 1-inch recorder.
Producer Ron St.Germain, with his ATR OneTwo 1-inch recorder equipped with transformerless I/Os, mixes the latest in new music, including 311, Tool, Creed, Sonic Youth and many others.
Recording engineer Chuck Ainley, with his ATR OneTwo 1-inch recorder, produces the final mix for many artists, including Mark Knopfler's critically acclaimed album Sailing to Philadelphia.
Hank Williams, owner and chief mastering engineer at MasterMix in Nashville masters the lastest hits on his Aria-equipped ATR OneTwo 1" machine.
Design FX president Gary Ladinsky has added a pair of ATR OneTwo 1" machines to his stable, and reports that they have been in constant use on projects by System of a Down, Meatloaf, BeBe Winans, Lee Ritenour, Blue October and many others.
Engineer and Producer Elliot Mazer used Aria-equipped ATR 100 series machines for the recent Warner Brothers re-issue of Frank Sinatra's Sinatra at the Sands, in both DVD-A high resolution stereo and 5.1 surround
Blackbird Studios owner John McBride uses his Aria-equipped 1" ATR OneTwo to mix the latest in Nashville, including his wife Martina McBride's newest RCA release Martina.
Long established Penguin Recording in Los Angeles with the first Aria equpped ATR102 in Southern California. Penguin uses their ATR-Aria for both 1/2" mixing and high resolution digital transfers for a varied list of LA based record labels.
Joe Palmaccio, chief mastering engineer at The Place… For Mastering shows off his fully restored ATR-102 form ATR Services.
Technical Director Brent Spear Studio Director Zoe Thrall have added a 1" 2 track ATR OneTwo to their impressive gear list at the new Studio at the Palms in Las Vegas.
Andy Krehm puts his new ATR-102 with Aria and stock electronics to use at his mastering facility, Silverbirch Productions.
Rolff Zwiep, of Blackbird Audio Rentals in Nashville shows off one of their newest additions - an ATR102 1-inch 2 track recorder.
Rack-N-Roll Audio Rentals owner Rob Dennis and engineer/producer Greg Droman in Nashville use only the finest in 1/2" and 1" ATR machines.
Grammy winning engineer Ken Caillat puts a wide assortment of ATR Services machines to work at Xepa Digital, one of the world's premier transfer studios. 
Dave Harris owner and chief engineer at Studio B Mastering in Charlotte, NC has added a new ATR-102 to his arsenal.
Mastering Engineer Mike Wells of Mike Wells Mastering in San Fransico shows off his new Aria-equipped ATR OneTwo 1" machine. (Photo by Sara Coleman) 
Renowned mix engineer Michael Brauer and Sony/Legacy’s Steve Berkowitz pose with Quad Recording New York’s 9 channel 2 inch Aria system. Michael used the system on recent surround mixes for Bob Dylan, Bill Withers and Five for Fighting.
Super Audio Mastering's owner and chief engineer Simon Heyworth has added an Aria-equipped ATR-102 to his gorgeous new facility in the UK and is already putting it to work on projects by the likes of Brian Eno and Charles Aznavour.
Engineer Mike Fraser used an Aria-equipped Studer A827 to mix the 5.1 surround soundtrack for DVD release of AC/DC’s 1991 concert film Live at Donington.
Southern Tracks co-owner Mike Clark put his new ATR 1" OneTwo "Pro-Tools helper" to use on Incubus' new album, produced by Bredan O'Brien.